Another masterpiece of British jazz reissued on Universal's outstanding Impressed Re-pressed series, where it joins other long unavailable classics such as Amancio D'Silva's Integration, reviewed last ...
British modern jazz was gaining new confidence in itself in 1965, when Warm Up, subtitled The Complete Live At The Highwayman 1965, was recorded. It needed to be. As Simon Spillett writes in his liner ...
Summer 2021 is proving to be the summer British jazz delved into its mid 1960s through mid 1970s album back catalogue and previously unreleased tape archive, with both major and specialist labels such ...
During its five-year run, the Don Rendell Ian Carr Quintet was one of the UK's premiere small ensemble jazz groups. Five albums on Columbia didn't hurt either, from 1965's Shades of Blue through to ...
As British jazz reaches new and unprecedented peaks of popularity, major labels are revisiting their vaults and rereleasing artistically enduring but long unavailable albums. Universal/Decca's British ...
Make no mistake, this vinyl box set reissue of the entire EMI Columbia oeuvre of the Rendell Carr Quintet is the British jazz equivalent of resurrecting the Dead Sea Scrolls(*). Although not the first ...
A fascinating snapshot of the British jazz and rhythm & blues interzone of the early '60s, Roarin' —unavailable for decades and here released on CD for the first time—is well titled. It's a raucous, ...
Don Rendell: flute, tenor and soprano saxophones; Ian Carr: trumpet, flugelhorn; Michael Garrick: piano; Dave Green: bass (1, 2); Tony Reeves: bass (3-6); Trevor ...
Don Rendell/Ian Carr Quintet Change Is BGO Records 2004 After being out of catalogue for many years, over twenty of the finest '60s/'70s albums by British jazz masters Don Rendell and Ian Carr are now ...
Make no mistake, this vinyl box set reissue of the entire EMI Columbia oeuvre of the Rendell Carr Quintet is the British jazz equivalent of resurrecting the Dead Sea Scrolls(*). Although not the first ...
British modern jazz was gaining new confidence in itself in 1965, when Warm Up, subtitled The Complete Live At The Highwayman 1965, was recorded. It needed to be. As Simon Spillett writes in his liner ...
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