"The Brutalist" won for cinematography and score, "Wicked" for costume and production design, and "Dune: Part Two" for VFX ...
The Oscar-tipped The Brutalist was shot in VistaVision, a film format last used in the 1950s. To understand why we need to dive into the fascinating history of cinematic film formats.
There is something novel and exciting about a new movie evoking the choices and styles of cinema from decades past. With the ...
Lol Crawley, a first-time Oscar nominee, won the cinematography award for “The Brutalist,” giving the film its first trophy ...
Explore the diverse range of cameras used in the 2025 Best Cinematography Oscars nominees, with a surprising emphasis on ...
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How ‘The Brutalist' Score Echoed VistaVision with an Epic SoundComposer Daniel Blumberg didn't take it for granted that any of the world-class musicians he asked would want to work on the score for "The Brutalist." Traveling with a suitcase full of ...
Adrien Brody says that while he’s “receptive to working with a variety of material” as an actor, taking on the title of director is “definitely not” in the cards for now., but possibly ...
Everything about it is oversized — from its ambitious runtime to the sheer production scale. Shot on 35mm VistaVision, the film spans over three and a half hours and generated more than 10 million ...
DeMille’s “The Ten Commandments” and Alfred Hitchcock’s “Vertigo,” VistaVision was designed as a competitor to 20th Century Fox’s Cinema- Scope, which employed an anamorphic lens to ...
The story of The Brutalist's impressive journey from conception to creation, all on a relatively tiny budget for its VistaVision-sized ambitions, has been pretty exhaustively covered by now.
Co-writer and director Brady Corbet’s “The Brutalist” was shot on film, in the nearly vanished VistaVision format, and while it gets a little lost in its second half — the third time I saw ...
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