After treading over the sacred blood-soaked ground of Nosferatu with his take, director Robert Eggers has his sights set on delivering a different kind of beast in his next movie, Werwulf.

Robert Eggers’ remake of Nosferatu was the horror hit of the winter season. It received rave reviews from critics and fans, and made over $166 million at the global box office. But did you know ...

Robert Eggers has claimed the idea of making a contemporary movie makes him "ill". The 41-year-old filmmaker, whose previous works have covered New England in the 1630s and 1890s, with 'The Witch ...

“The idea of having to photograph a car makes me ill,” Eggers said. “And the idea of photographing a cellphone is just death. And to make a contemporary story you have to photograph a ...

Eggers will work with Icelandic screenwriter and poet Sjón on a script for the film, the pair previously collaborated on The Northman in 2022. Harry Potter director Chris Columbus and his ...

Robert Eggers attends the Los Angeles Premiere of 'Nosferatu' at TCL Chinese Theater on December 12, 2024 in Hollywood CREDIT: Axelle/Bauer-Griffin/FilmMagic It comes after reports circulated ...

News that Robert Eggers is working on a follow-up to the ’80s classic Labyrinth is already sparking plenty of debate online. On Friday, Deadline reported that the Nosferatu filmmaker had signed a deal ...

"I was in LA, we were in the boardroom at Focus Features, and they did this big presentation," explains Nosferatu's writer-director Robert Eggers as we chat over Zoom about the acclaimed and ...

“Nosferatu” director Robert Eggers is set to write and direct the sequel to Jim Henson’s the 1986 cult fantasy movie “Labyrinth” for TriStar Pictures, Variety has confirmed. Eggers is ...

“Nosferatu” director Robert Eggers is set to write and direct the sequel to Jim Henson’s the 1986 cult fantasy movie “Labyrinth” for TriStar Pictures, Variety has confirmed. Eggers is writing the ...

While Eggers originally envisioned the film in black and white, the production has since shifted to color, though it remains steeped in the filmmaker’s trademark period drama aesthetics.