The Utah Review

Voodoo Theatre Company’s production of Jen Silverman’s The Moors effectively extracts its most important epiphanic impact

In fashioning complicated characters that encourage audiences to handle more than one thought about a person in their minds, ...
The Utah Review

Ellie Otis

In fashioning complicated characters that encourage audiences to handle more than one thought about a person in their minds, playwright Jen Silverman has always deftly handled themes of isolation, ...
The Utah Review

The Moors

That certainly is the case in The Moors (2017) and the latest Voodoo Theatre … Read more ...
The Utah Review

Intelligent, subdued spiritual feel in The Blue of Distance, show of Madeline Rupard, Drew Rane at Material art gallery

For many years, I have been moved by the blue at the far edge of what can be seen, that color of horizons, of remote mountain ...
The Utah Review

Celebrating commissioned work, including two world premieres, Repertory Dance Theatre’s Ovation later this week promises to be a blockbuster of dance

A celebration of commissioned works, including two world premieres, is set for this week’s blockbuster Ovation production by ...
The Utah Review

Jacque Lynn Bell

PYGmalion Productions’ Utah premiere of Tiny Beautiful Things is finely acted soothing, charming respite of empathy November 13, 2025; Two works by Grammy-nominated composer Sha ...
The Utah Review

Norbert De La Cruz

PYGmalion Productions’ Utah premiere of Tiny Beautiful Things is finely acted soothing, charming respite of empathy November 13, 2025; Two works by Grammy-nominated composer Sha ...